Sunday, February 6, 2011

Under Heaven - Guy Gavriel Kay

I've been excited about reading this since I first heard it was coming out, and it definitely lived up to expectations. It is fantastical history which is a genre all of its own as far as I know. There are lots of people who do historical retellings, but GGK throws in a touch or more of fantasy which makes it extra-special. I think it would be really easy to do this wrong, but the fantastical bits just slip right in and make the fact that the whole world is unfamiliar seem easier to deal with. At least to me. I know how to go about reading fantasy, and I know that I'm not required to have any extra knowledge to make things work.

Under Heaven is wonderful. I've read a bit of the jacket quote to several people, and it is a fabulous bit that just grabbed me right away, let me know I was going to love the book, and was a great intro to the story without giving any of the action away, Tai is informed that he is to be presented with 250 Sardian horses:

You give a man one of the legendary Sardian horses to reward him greatly. You give him four or five to exalt him above his fellows, propelling him toward rank, and earn him jealousy, possibly mortal jealousy. Giving two hundred and fifty is unthinkable - a gift to overwhelm an emperor.

Tai realizes some of the implications this gift will have, and tries to prepare himself to cope, but he doesn't have the imagination or the experience to prepare him for everything to come.

This is the retelling of a moment in the history of the Tang dynasty in China, and while some of the details have been altered slightly (at any rate, they're different from what I found on Wikipedia - and who knows how accurate that might be), it is a wonderful story and makes me feel like I really understand what happened back then. GGK also has this wonderful way of showing you how events will appear to someone reading about them in a history book, which simultaneously makes it easier for him to get away with changing some of the details - because who really knows what actually happened after all - and helping you realize how the world works.

One of my favorite bits happened near the beginning of the book when Tai is stopping at a Pleasure Palace on his way back to civilization, and enters the room to find one of his favorite poets, the Banished Immortal, holding court. This man is renowned for his poetry, considered one of the greatest living poets, and Tai is just completely overawed to be in his presence. Yet the scene is told from the first person perspective of a young, foreign courtesan, who is hideously bored by poetry, and incredibly irritated that this disgusting, drunken, obnoxious and filthy man is the centre of attention. At first I couldn't fathom why we were seeing the world through her eyes, but then I realized that it was giving me a much better perspective on this character, who was to be very important throughout the story, and was in fact an important historical figure, than I could possibly have gotten looking through the eyes of someone who already loved him and his poetry. The rest of the book would show him through rose-coloured glasses, but this small glimpse of another facet was just amazing. There is always more than one side to a story.

The other thing I love about this, and pretty much every book of GGK's I've ever read - he writes wonderful female characters. They're real people, not just love interests. Even when their role in the story is, or should be, primarily a love interest, they're always so much more than that. The Emperor's concubine who could so easily have no personality at all is a major political player, Tai's sister is incredibly courageous even when she thinks all possible hope is lost, the courtesan he loves is an amazingly strong and intelligent woman, and the Kanlin Warrior who travels with him is also quite a character.

While I have enjoyed all of GGK's books, this one is special. The story is fabulous, the characters are amazing, and I think he really nailed the ending. I'm waiting for Sky to read it, because I want to know what he thinks - there's a chance he'll hate this ending, because it does have that element of randomness that real life tends to have - but I think the randomness is handled beautifully, and that it highlights the fact that there are many possible happy endings. In fact, most people will find happiness in whatever ending finds them.

Monday, January 17, 2011

The Tower at Sony Wood - Patricia A. McKillip

As usual, this was a beautiful story with gorgeous imagery. I didn't like the actual story as much as Song for the Basilisk or most of her other work. Initially it appears to be a fairly normal - Queen is trapped in a tower, being impersonated by some sort of evil witch or fairy, knight must run off to rescue Queen without actually telling anyone what he's up to so that the kingdom isn't thrown into total upheaval.

The knight in question, Cyan Dag, is sent off on his quest by a lady Bard. It rapidly becomes evident that there's something up as the same Bard (or another one very similar...I'm not actually sure) is busy sending one of his enemies (Thayne Ysse) off on a nearby quest to fight a dragon, acquire its treasure, and use the treasure to attack Cyan Dag's kingdom. So you're thinking that actually the Bard is evil and has tricked Cyan Dag, getting him out of the way or something, while encouraging the northern kingdom (where Thayne Ysse is from) to attack - possibly in collusion with the changeling queen. So Cyan Dag is off to rescue a queen trapped in a tower, Thayne Ysse is off to challenge a dragon in another tower, and then there's a third character, Melanthys, who spends all of her time embroidering in a tower where a magical mirror is showing her glimpses of things happening far off...which she embroiders, and then leaves on the window ledge where they disappear.

So we have 3 different towers, 3 different main characters, multiple strange bard-type women who keep showing up in unexpected places and lots of very strange seeming magic. Also, all of the towers appear to be in the same place...or possibly not really existing in real locations. It all adds up to a story that feels hideously confusing at times. I'm willing to put up with a lot of that from Patricia McKillip, but this was pretty extreme. It is hard to focus on all the different aspects of the story when you don't know how they are connected or which bits are the really important ones. Especially when you're having some trouble distinguishing the characters. What kept me reading was Melanthys and her family, which initially felt like it wasn't really central to the story, but in fact wound up being very very important.

The ending was quite satisfying. Everyone's motives were explained, very important things got resolved in ways that worked and were obviously going to continue to work for a long time to come. People overall were going to be much better off. So overall I enjoyed the story, but it isn't compelling me to pick it back up and re-read it immediately, even though I'm really tempted to see if it still feels as confusing one I know where it is going (and now that I know there are actually 3 different lady Bards and not just 1 with the ability to pop around the world at will).

Wednesday, January 12, 2011

Song for the Basilisk - Patricia A. McKillip

Patricia McKillip has a real gift for showing rather than telling a story. She has a way with words that paints a picture in my head in a way that no other author has ever done. The only drawback is that I have to slow way way down in order to read her work. Usually I speed-read and skim a lot, but if I try to do that with her novels I wind up with absolutely no idea of what's happening.

The backstory in this book happens almost entirely in the background. The story opens with the main character as a child, witnessing the brutal murder of his entire family and imagining himself dead. Discovered by a relative and sent off to safety, the journey as seen through his eyes is amazing (from memory since I don't have the book handy)

The moon waxed and waned as they travelled. Then it turned into a boat, and they sailed away in the boat, and approached a constellation of stars that resolved itself into lights in windows

This is the entire description of the journey, and it manages to convey very concisely the distance travelled, the dream-like quality of the journey, the fact that it ends in a boat-ride to a small island.

Then a short while later there's an entire love story contained in a single word. Caladrius leaves the island where he has trained as a bard, to travel for several years. When he returns, the girl he left behind is waiting for him.

"You waited for me!"

"We waited."

That single word "we" contains so much information. It wasn't clear that they had been lovers before he left. He hadn't really expected her to wait for him.

Eventually Caladrius regains his memories and goes to avenge his family, who had been the rulers of Berylon and have now been supplanted by Arioso Pellior who murdered them. It is different than the typical revenge story. He is older than your typical hero. Most of Berylon has just gotten on with their lives, the way people do in real life but tend not to in stories. He uncovers a group of young folks who are intent on avenging his family (they are distant relatives) but elects not to tell them who he is.

The ending of the story is absolutely magical, and I'd rather not spoil it for anyone. But I will tell you that once I finished, I picked the book right back up and re-read it.

Wednesday, November 17, 2010

The Matchbox that ate a Forty-Ton Truck - Marcus Chown

Originally linked off of BoingBoing, I think this is the best physics book for non-physicists that I've ever read. Chown takes a really nice approach - picking something in the everyday world that you've probably noticed, and maybe wondered about, maybe not, and then linking it to some aspect of physics which we don't have any intuition about. For example, he points out that if you look out the window you can see your own faint reflection in the glass, as well as what's outside the window - because quantum effects are random, and some photons are randomly being reflected by the glass while others pass through. If the world were totally deterministic, then they would all either get reflected, or pass through, but it isn't - it's quantum, and the quantum world is dominated by probabilities.

It isn't all quantum physics. He throws in a lot of information about elementary particles, strong and weak nuclear force, the big bang, and finishes off with aliens. His style of constantly relating unfamiliar things back to the familiar really makes this book easy to read, and not get totally lost in like many popular physics books. Additionally the fact that each chapter stands alone means there's less chance of getting stuck on a concept and having to give up. It is written at a level that anyone with a high school physics education could read it (I think), but there were only a couple times where I felt irritated by unnecessary levels of detail. If you've got a degree in astronomy or particle physics, this would probably be boring, but I really felt like I learned something. There wasn't a lot that I hadn't seen before, but it was put together in a way that was interesting, and helped me make a lot of new connections.

So, if you like popular physics books, I think you'll love this one. If you're scared of popular physics books, you'll probably still really enjoy it. Chown manages to simplify some really difficult concepts without oversimplifying, and communicate them in a really engaging way. I definitely want to acquire a copy of this book if only to lend it around to everyone.

Monday, November 8, 2010

Fool's Run - Patricia McKillip

I love Patricia McKillip and I've read most of her fantasy novels, but this is the first SF novel of her's that I've encountered. I wasn't actually aware she had written any SF, and while it is certainly SF rather than fantasy, it has a lot more in common with her fantasy novels than with most other SF. Which is to say that her very unique voice plays just as well with space opera as with fairies. Not that this is space opera. I could totally see this same story, or a variant on it, working quite nicely in a fantasy setting, but there are so many elements to it that benefit from being set in a far-future society.

It is a story, set mostly on earth, or in near-earth orbit, of a band called Nova who get contracted to play a gig on "The Underworld", a prison colony orbiting the earth, which is going to be their ticket to fame and fortune. The Magician is the leader of the band, very interested in old-fashioned music, and slightly psychic. The Queen of Hearts is their 'cuber', cubes being a fancy new sort of drum incorporating some interesting visual effects, who is very obviously an enigma, and who subs in for their regular cuber at the last minute. The mystery of her past is unveiled as they reach the Underworld, and she is linked with the prisoner, Terra Viridian, who killed 1500 people 7 years ago for absolutely no reason.

There's a lot of psychic occurrences which give this the feel of a fantasy set in space. People acting on hunches, events converging, odd coincidences which may or may not be coincidental. But there are bits here and there that really benefit from the future tech. The instruments played by the band members are fabulous, as are the visual effects they use on stage. I don't know any other author who could possibly get you to imagine the sound and light show. The access system for the Underworld is quite futuristic and adds a lot. Radio communications is also really vital to the plot - being able to have people in physical different locations but communicating with each other in a semi-public fashion isn't something you can manage easily in a fantasy setting. So this isn't just a fantasy novel set in space, it really uses the technology, but it still manages to feel more like fantasy than SF.

A lovely story, like all of McKillip's other books it actually lets me see the world she's describing and in this particular case, hear it too.

Friday, November 5, 2010

Thomas the Rhymer - Ellen Kushner


Reviewed by Jo Walton over on Tor.com. This is a retelling of the fairy tale of True Thomas, and it is just beautiful. It is set in the past - Scotland in the 1300s - and the story is told in four voices. First we have Gavin, an old farmer, telling us about Thomas, the brash young harper who has wandered into Gavin's heart and home on his travels. Then Thomas continues the story as he is taken into Fairyland and lives there for 7 years as the consort of the Queen of Fairyland. Then Meg, Gavin's wife, takes up the tale when Thomas returns from Fairyland and tries to learn how to live life as a man again. Finally we have Elspeth, in love with Thomas before he vanished, and coming to love him again on his return - although this isn't easy as they have both been changed by the passage of time and the events of life, telling the tale of his life as a man unable to lie - and with the ability to see into the future.

The story is beautiful, and the style in which it is told is just wonderful. I love that it doesn't end with Thomas returning from Fairyland, and that the world has not stood still while he was away. People have changed, and Thomas has changed, and adjusting to these changes is not easy for anyone. Elspeth certainly didn't sit around waiting for Thomas to come home. Gavin has a great deal of trouble accepting that Thomas has been in Fairyland and isn't simply making up a new story. The personalities of the four main characters are wonderful, and having them each narrate different portions of the story is wonderful. You get to know each of them, but without the discontinuity of changing narrators every chapter as most stories would do. Thomas's adventures in Fairyland are also fascinating, but not quite as compelling as the rest of the story, however the song he writes while he is there is fabulous.

Sunday, October 17, 2010

A Primate's Memoir - Robert Sapolsky

This book is a lot of things all at once. It is the story of the time Robert Sapolsky spent in Africa studying a troupe of baboons (several months a year, over many many years), the story of how he grows up as a person and as a scientist, and it is the story of how a scientist can get so absorbed in a particular problem that they really can't see it from the outside anymore.

Yet another recommendation from Jo Walton's Tor.com blog. In fact, I don't think I could possibly write a better summary of it than she has. Especially what she has to say about the way he writes about animals and people.

I especially enjoyed learning what it is like to do this sort of research, where you spend months in the field, in very different conditions than your normal life, and then head back home to the lab again. Towards the end of the book many of the local baboons are getting sick, and there's a real mystery that Sapolsky has to solve - how are they getting sick and what needs to be done to stop it. He solves the mystery - figures out exactly where the illness is coming from. It isn't curable, but it is definitely preventable - except that in order to prevent it from spreading involves some local politics. There are some folks involved in totally illegal dealings who are making a lot of money, and incidentally making the baboons very sick. He is quite ready to point a finger at everything that's going on, to him the baboons are every bit as important as any individual human being, and yet when he goes to folks higher up, they are very reluctant to do anything about the situation. I was so involved in the story that I was every bit as incensed as he was that these scams were allowed to continue and endanger innocent lives...and then eventually things are explained fully. The ramifications of getting certain people into trouble on the whole park system and all the efforts at conservation that were going on. Simply heading to the authorities and solving this particular problem might help these specific baboons right now, but in the long run would probably hurt them, and would definitely hurt the overall conservation efforts, the park system, access to these areas for scientists. As a scientist you get really stuck in your little corner, working on your particular problem, and it is really easy to stop looking at the rest of the world. If you let yourself become too distracted you won't make any progress on your own work, but every so often you do have to take that step back and realize that there's a much bigger picture, that everyone has to deal with politics at some level, and that no matter how important what you're working on is, other things are important too. Some of them so important that you've just been taking them for granted.

This is a brilliant story. Sapolsky writes beautifully and the prose just flows. But at the same time as entertaining, he also manages to teach you a lot - about baboons, about being a scientist, about life in Africa, and about respect for people in general. This is a book I'd love to own, just to pass it around to everyone I know.